Visiting Sleeping Beauties: Reawakening Fashion? You must join the virtual exhibition queue when you arrive. If capacity has been reached for the day, the queue will close early.

Learn more
ticketsMember | Make a donation
Search

Search The Collection

Filter By

Object Type / Material
Geographic Location
Date / Era
Department
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 67 results
Sort By:
Psyche, holding the flask of beauty being transported by three putti
Anonymous, Italian
ca. 1530–60
A view of the machine carried in procession for the feast of Saint Rosa of Viterbo, adorned with candles, she appears in the upper section
Anonymous, Italian
1829
Candelabra Grotesque with Two Dragons and Putti Supporting a Hexagonal Temple
Anonymous, Italian
ca. 1540–50
A view of the machine carried in procession for the feast of Saint Rosa of Viterbo, adorned with candles, she appears in the upper section
Anonymous, Italian
1829
A view of the machine carried in procession for the feast of Saint Rosa of Viterbo, adorned with candles, she appears in the upper section
Anonymous, Italian
1829
Two Armorial Trophies marked by the inclusion of a Greave in the right Trophy, plate 5 from "Libro de' Trofei"
Anonymous, Italian
1550–53
The coronation of the Virgin, a round composition
Anonymous, Italian
16th century (modern impression?)
Two Armorial Trophies marked by the incorporation of a Scallopped Cuirass on the right, plate 4 from "Libro de' Trofei"
Anonymous, Italian
1550–53
Two Armorial Trophies marked by the incorporation of an Elephant's Head on the right, plate 6 from "Libro de' Trofei"
Anonymous, Italian
1550–53
Single Armorial Trophy marked by a Cuirass mounted on a Tree Trunk, plate 13 from "Libro de' Trofei"
Anonymous, Italian
1550–53
Two Armorial Trophies marked by the incorporation of a Broken Amphora on the Left, Plate 2 from the Libro de' Trofei
Anonymous, Italian
ca. 1550–53
The Triumph of Chastity, page from "The Triumphs of Petrarch"
Anonymous, Italian
1492–93
Martyrdom of Saint Sebastian with Two Archers
Anonymous, Italian
1470–80
Two Armorial Trophies marked by the incorporation of a Lion's Head and Dolphin Motifs, plate 3 from "Libro de' Trofei"
Anonymous, Italian
1550–53
Bust portrait of Galatea facing right set within an oval
Anonymous, Italian
ca. 1530–60
The Libyan Sibyl
Anonymous, Italian
ca. 1560–70
Two Armorial Trophies marked by the incorporation of a Broken Amphora on the Left, plate 2 from "Libro de' Trofei"
Anonymous, Italian
1550–53
The Annunciation
Anonymous, Italian
ca. 1490–1510 (modern impression)
Silenus being carried while being crowned by a satyr at left, after Mantegna
Anonymous, Italian
ca. 1530–50
A view of the machine carried in procession for the feast of Saint Rosa of Viterbo, adorned with candles, she appears in the upper section
Anonymous, Italian
1829
Single Armorial Trophy marked by the incorporation of a Strapwork Shield with a Rampant Lion, plate 10 from "Libro de' Trofei"
Anonymous, Italian
1550–53
The beheading of St John the Baptist, Salome standing at the right, after the fresco by Andrea del Sarto in the Chiostro dello Scalzo, Florence
Anonymous, Italian
ca 1540–1560
Silenus being carried by Satyrs, after Mantegna
Anonymous, Italian
ca. 1530–50
Two Armorial Trophies marked by the incorporation; One Helmet on the Left and Two at the right, plate 16 from "Libro de' Trofei"
Anonymous, Italian
1550–53
Design for Surface Decoration with Meandering Acanthus Scrolls, Two Hybrid Creatures and a Putto
Anonymous, Italian
ca. 1540–50
Collection of 18 etched plates of catafalques, funeral monuments and altar designs bound together
Anonymous, Italian
18th century
Saint Catherine of Alexandria, from the 'Legenda di Sancta Caterina' (Modena, Richizola, 1490)
Anonymous, Italian
ca. 1490
Two Armorial Trophies marked by the incorporation of bust of Diana (?) and the Figure of a Swan in the right Trophy, plate 9 from "Libro de' Trofei"
Anonymous, Italian
1550–53
Pretended Portrait of Gonsalvo of Cordoba, Military Commander
Anonymous, Italian
ca. after 1515
Christ on the cross
Anonymous, Italian
ca. 1490
Design for the Decoration over an Arch with the Personification of Justice
Anonymous, Italian
1680–1730
Head of a Young Boy
Anonymous, Italian
17th century
Bellerophon holding a severed head, Pegasus the tamed horse lower left, musese above
Anonymous, Italian
ca 1540–60
Portrait of the Holy Roman Emperor Charles V facing right
Anonymous, Italian
ca. 1520–1540
Venus and Cupid
Anonymous, Italian
ca. 1530–50
Three sculptures of naked men, two of who seem to be Hercules
Anonymous, Italian
ca. 1530–1570
Man attacked by a wild boar (?) that is being attacked by a horse
Anonymous, Italian
ca 1580–1620
A street with buildings and arcades
Anonymous, Italian
1660–80 Rossi. Modern impression
The Madonna of Loreto
Anonymous, Italian
18th century
Two Armorial Trophies marked by the incorporation of a Cuirass seen from the Back on the Left, and a Shield with Gorgon's Head on the Right, plate 15 from "Libro de' Trofei"
Anonymous, Italian
1550–53